This is great.
We had a little fun with this one. Who says FRONTLINE doesn’t have a sense of humor?
The financial crisis. It’s a CAKE!
For now, this tumblr is my new favourite.
(Source: notnadia, via textsfromhillaryclinton)
1. The audience is fickle.
2. Grab ‘em by the throat and never let ‘em go.
3. Develop a clean line of action for your leading character.
4. Know where you’re going.
5. The more subtle and elegant you are in hiding your plot points, the better you are as a writer.
6. If you have a problem with the third act, the real problem is in the first act.
7. A tip from Lubitsch: Let the audience add up two plus two. They’ll love you forever.
8. In doing voice-overs, be careful not to describe what the audience already sees. Add to what they’re seeing.
9. The event that occurs at the second act curtain triggers the end of the movie.
10. The third act must build, build, build in tempo and action until the last event, and then — that’s it. Don’t hang around.
—
Advice from legendary filmmaker Billy Wilder, a fine addition to our ongoing collection of advice from cultural icons and modern heroes.
From the excellent Conversations with Wilder.
(Source: , via explore-blog)
7
If I ever write a book I’m having it reformatted for hypersound. That is all.
What the text of the first-ever web page sounds like reformatted for hypersound, and other sounds of the Internet.
Visit a land without people.
Universal language.
(Source: ambientclouds, via kawlture)
E L James: Fifty Shades of Grey
Special thanks to Community Bookstore for help with this one.
